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Haydn Four London Trios 1-4-Two Flutes and Cello-IMC
Contents:
  1. London Trios (Haydn, Joseph)
  2. #32 Flute and strings: Mozart and Haydn
  3. Haydn: The 'London' Trios/ Stamitz: Duetto/Trio Chamber Diversions
  4. Haydn Four London Trios 1-4-Two Flutes and Cello-IMC

He also wrote for smaller, more diverse combinations of instruments. His 6 Divertimentos a 3 Op. It seems that Haydn had the option of a scoring with flute in mind while composing these works and they are the first chamber music by him to include a flute. The 6 Divertimentos a 3 Op. The Divertimento which in Italian means amusement or recreation , along with the Cassation and Serenade , played an important role in the social and musical life of the middle classes in the second half of the 18th-century, particularly in South Germany and Austria.

London Trios (Haydn, Joseph)

Some movements of these Divertimenti had already been used by Haydn in earlier works: the first two movements of Trio No. Elysium Ensemble. In he composed a flute part in Symphony no. Haydn also started using a pair of bassoons regularly in his symphonies.

#32 Flute and strings: Mozart and Haydn

The departure of his first bassoonist in created a quandary; Haydn resolved it by pairing the remaining bassoon with the flute. This is especially evident in the first movement of Symphony no. In its original form, as the overture to the opera Il mondo della luna , it had two bassoon parts; a year or so later, in the symphony, Haydn moved the first bassoon part up in register and gave it to the flute.

In other symphonies of the period the two instruments have important duet passages. The new role of the flute may partially explain why five of the eight symphonies from —81 nos.


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After Haydn acquired another bassoonist he resumed writing for two bassoons, but by now the flute was an integral member of his orchestra. His symphonies and operas from onward all have at least one flute part. Regarding music for smaller combinations, Haydn neglected several popular genres of his day that often featured the flute. He wrote at most one solo sonata for a melody instrument with continuo or keyboard, a work we know as the piano trio Hob.

XV, which may have originally been a violin sonata. Haydn also wrote few chamber works for one woodwind with several strings.

Haydn: The 'London' Trios/ Stamitz: Duetto/Trio Chamber Diversions

Two of these, Hob. The third work is a septet, Hob. II:8, for two flutes, two horns, two violins, and bass. In addition, the one-movement trio Hob.

Haydn London Trio No. 1

IV:G2, for flute, violin, and violoncello, was deemed sufficiently interesting musically to find its way into the Joseph Haydn Werke ; it may be a fragment of a longer work, perhaps arranged from some other instrumentation. Lacking authentic pieces by Haydn, publishers manufactured chamber works to sell under his name.

Two sets of six quartets for flute, violin, viola, and violoncello are still in circulation.

Haydn Four London Trios 1-4-Two Flutes and Cello-IMC

The so-called Op. II:D9—11 and G4. An even worse case is the set published as Op. Joseph Aloys Schmittbaur had originally published the set as his Op. While the forgery was exposed long ago, these pieces continue to be attributed to Haydn; a new edition under his name came out in Caveat emptor! Haydn used the flute in several works composed for London.

In he produced six divertimenti, Hob. IV:6—11 also known as Op.

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